A new edition of What the Flag? with a contribution by Donya Saed.
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For the Display visual artist Laurent Malherbe will present a new edition out of the Lech Premium series.
The earliest known writings on architecture are from Vitrivius, a Roman architect, writer and engineer who was born approximately 70 years BC. In his book De Architectura he asserts that a construction must exhibit the three qualities of solidity, usefulness and beauty in equal measures. None of these three qualities firmitas, utilitas and venustas should dominate any of the other two.
None of these assertions are applicable on the works of Malherbe. His architectural structures are made in a rough and sketchy manner and are usually invented there where they will be created and exhibited. Imperfections and temporary makeshifts are staged in...
Greylight Projects presents two evenings of performances in its Chapel. both evenings are composed as experiences of text, music and sound, initiated by Les Commissaires Anonymes.
On September the 23th: Collective disorder / three performances with different modes of exchange to nourish the imagination of collective interaction.
- A Spiral Dance, A Circuit by Hu Wei (In collaboration with Astarti Athanasiadou)
- The disoriented cabaret by Mathilde Sauzet & Gabriel Mattei. With Sonia Kazovsky, Pilar Mata Dupont and Germaine Sijstermans
- Black tea by Adrien Giros with...
I'll be at the office on Tuesday is the name of the residency project that independant curator Septembre Tiberghien is initiating at Greylight Projects.
Questioning the material and immaterial relationship between artists, curator and their environment, she will consider the self-sufficient economy of the artist run-space as the starting point of her exploration. Instead of investing a specific space, she will invest a specific time for meeting the residents.
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fine art bachelor / Sint Lukas LUCA School of Arts, Brussels.
Stephanie Becquet, Dóra Benyó, Andriu Deplazes, Nicholas Goudket, Marjolein Guldentops, Lies Hermans, Renaat Van Hove, Axelle Ringoet, Elke Van Loven, Olga Monina, Jonáš Mlejnek, Constance Neuenschwander, Lien van Ranst, Frederic Rummens, Paula Santomé, Sigrid Van Tichelen, Xana Will, Roos Zuidervaart
Site program:
- Projection evening / 12 May 2016 19:00
- Performance evening / 19 May 2016 19:00
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- Exhibition with Thomas Bakker, Thomas Bernardet, Claude Horstmann, Perrine Lacroix, Donya Saed, Sammy Ben Yakoub
- Open studios with Mélanie Berger, Amélie Bouvier, John Ryan Brubaker, Marc Buchy, Marcin Dudek, Tom Hallet, Wouter Huis,...
Jeroen Jongeleen verzameld al sinds jaren de betere reaguursels [lezerscommentaren op internetsites als Geenstijl], de meest ongezouten standpunten over kunst en cultuur, en gooit deze met veel plezier terug in de analoge versie van het stedelijk debat: de stad.
De komende 6 weken zullen op de voormalige verkeizingsborden die her en der in Heerlen verspreid staan, commentaren het licht zien die de rauwe randen van het maatschappelijk debat tonen en onze relatie met kunst en cultuur bevragen.
Voor de kunstenaar Jongeleen tonen deze geschilderde tekstwerken een inkijk in de staat van weerbaarheid van onze democratie. Of zoals hij zelf zegt: “Een hoera voor Heerlen!”.
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"Het Is Geen Stijl En Anders Niet!
[Poëzie vanuit de onderbuik*]
Men zegt dat de liefde door de maag gaat. Bij kunst is het niet veel anders. Iedereen heeft er een idee over, ongeacht of men er verstand van heeft of niet. Dat is het feest van de kunst vandaag. Toegankelijker dan de belastingdienst. Aansprekelijker dan het koningshuis. Eenduidiger dan de smaak over Marco Bosato. Meerduidiger dan de Heerlense politiek. Als paardenmiddel tegen een lentegriepje gooit Jongeleen de minst glorieuze standpunten in het publieke debat terug de straat op."
Jeroen Influenza Jongeleen, Rotterdam 2016
*Smiley naar keuze hier zelf toe voegen.
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For the third edition of Display in Greylight Projects in Hoensbroek we invited Berndnaut Smilde to show his work Kammerspiele. The installation was shown earlier in the Bonnefanten museum in Maastricht.
Artist Berndnaut is using his daily surroundings and spaces as inspiration, Smilde is interested in the temporal nature of construction and deconstruction. His work refers to both the physical state of a building as well as a moment of revelation that depicts either hope or fragility. Smilde analyses spaces and their appearance and takes them apart to investigate their unique details and features. His artistic point of view often centers on duality. His works question: inside and outside, temporality, size, the function of materials and architectural...
To research the former uses of a building is to question the role of the investigator as the owner of memory's material leftovers. For 6 months Juan Pablo Plazas and Yoel Pytowski worked on a series of sculptural interventions with forgotten elements in one specific room of the building where the Greylight Projects is. During the opening a performance will take place in collaboration with Nathalie Snel as a concluding phase of these interventions.
"How much do we need to dig just to find out that we have dug enough?
How deep do we need to go just to realize we’ve gotten to the middle of nowhere?
What are we trying to discover inside this massive amount of sand?”
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Crystal Palmer and Isaac Pool Dare to Explore Penthouse Residency Artist Presentation
Hosted by Greylight Projects
DEP Residency is a Harlan Levey Project
THIS IS A DOG FRIENDLY EVENT.
Got a four-legged friend? Bring her and him along.
Come welcome in the New Year at Greylight Projects.
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For a new edition of the outside billboard on the building of Greylight Projects in Brussels we invited John Ryan Brubaker to present a photograph out of his project Every Path is Viable.
The project Every Path is Viable uses the unpredictable nature of the photographic process to suggest the experience of looking in multiple directions simultaneously. Each image is the result of four exposures, shot from a fixed vantage point, and captured on a single frame of film. The result is then printed across a series of smaller sheets and combined by hand to recreate the final piece.
Each photograph in this series is informed by the unique architecture, culture, language, and visual characteristics of the city in which it was taken. Yet, they are not meant to be...